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The old Oscar Wilde “Everything in the world is about sex

ACTING: The acting in Playboyy is a bit hit and miss. As a stand-out star, Dech is absolutely untouchable. Nant/Nont are a monster of a roll that swings between camp, performative highs and truly raw, exposed lows, and he brought me along with him every step of the way. Really, really impressive work. Shell was a wonderful partner for him, matching him in almost every scene and developing a unique and intriguing chemistry. I also greatly enjoyed any scene with Parm and/or Aun, which always felt very grounded and warm, and was continually impressed by Korn, who managed to maintain a necessary friction between Zouey and the rest of the cast. Beyond these actors, the performance were a little bit shakier. Some of the actors struggled with stilted line deliveries (and I don’t mean the English, which I’ve never had a problem with) or unnatural body language. I was never quite sold on Jack/Chat or Jeffy/Fay as couples beautiful bangladeshi women, though each actor shined in other areas (such as Chat and Korn’s wonderful friendship). In particular, and unfortunately, I found Hymn took a stylized drama and crashed it into melodrama more often than he stuck the landing. That said, I still found this ensemble created a style that played to their strengths well and rarely rendered a scene ridiculous.

PRODUCTION: Production is where this show really, really shines. The lighting is absolutely gorgeous, full of intentional color, harsh shapes, and neon texts. Each arc and couple has their own world and visual language that helps sort out the massive cast and is, quite frankly, beautiful. The highly stylized, theatrical sensibilities also help highlight the moments when humanity comes crashing in and we left very broken characters in plain framing. It’s really, really beautiful to watch. I think the underwear was a phenomenal way to juggle the desire for nakedness with the reality of film-making and the comfort of the actors.